A digital rights organization has stated to have scraped millions of tracks from Spotify and is getting ready to publish them online.
Potential Impetus for Artificial Intelligence Development
Industry experts noted the seeming leak could aid AI companies looking for data to train their models.
A group known as Anna’s Archive said it had obtained 86 million audio tracks from Spotify and 256 million rows of associated data such as performer and record names. Spotify, which hosts more than 100 million tracks, stated that the breach did not represent its entire inventory.
“We have identified and deactivated the nefarious user accounts that were involved in illegal scraping,” stated a Spotify representative.
The Swedish company, which has more than 700 million subscribers worldwide, further explained that an inquiry into unauthorised access identified a external actor collected public metadata and used questionable methods to circumvent DRM protections.
Archive's Declared Mission and Worries
The streaming service does not think the music taken by Anna’s Archive has been released yet. Anna’s Archive, which is known for offering links to copyright-infringing books, said in a blog it wanted to create a ‘preservation archive’ for music.
They claimed the music files accounted for 99.6% of all music listened to by its listeners and would be shared via ‘torrents’, a means of sharing large data files online.
“Of course the service doesn’t have all the music in the world, but it’s a great beginning,” said Anna’s Archive, which describes its mission as “preserving humanity’s knowledge and heritage”.
Model Development and Intellectual Property Battleground
Ed Newton-Rex for defending artists’ copyright, said the breached music would likely be utilized for developing AI models.
“Educating models on illegally sourced data is unfortunately common in the AI industry, so this stolen music is highly likely to be used training AI models,” he stated.
The Anna’s Archive site makes references to LibGen, a huge online repository of pirated books that has reportedly been leveraged by the parent company of Facebook to train its AI models.
A founder of an AI startup posted on the professional network that members of the public could in principle “create their own personal free version of Spotify”. The executive said it could also enable tech companies to “train on contemporary music at scale”.
Copyright has become a battleground between creatives, authors and creatives on one side and tech giants on the other.
Policy Considerations and Responses
In the UK, artists and writers have raised concerns against a ministerial proposal to allow AI companies utilize protected work without consent unless the rights holder signals. Virtually every respondent to a government consultation on the proposal has supported artists’ apprehensions.
A government minister for science, innovation and technology informed parliament this month there was “little consensus” on the issue, adding that ministers would “take the time to get this right”. The government has committed to make policy proposals on AI and copyright by March 2025.